I won’t bore you with how long I’ve worked in this industry but let’s just say that I remember when the first Apple Mac appeared in the studio.
Before the advent of the computer ideas were sketched out with paper and pen, visuals skilfully hand rendered and coloured in with markers, and copy marked up with detailed instructions and sent out for typesetting which would sometimes take days to return. It was very labour intensive.
The bad old days? Not when it comes to imagery, no. Back then, image was king. At one time we had a constant flow of photographers and agents through our offices, presenting beautiful original work to get our creative brains fuelled with all the fantastic possibilities. How better to differentiate a brand than a wonderfully conceived original image to go with a face melting headline?
When I worked on the Guinness annual report in the 90s the photography budget alone was circa £100K. We designed sumptuous sets, hired fabulous models, seduced the top photographers to champion the products. The results were nothing short of art. Commercial art.
Today, the budgets for imagery are non-existent. After all, images are free aren’t they?
Nowadays, it seems, the image is an afterthought. The proliferation of ‘free’ royalty free libraries and the abundance of cheap imagery has driven down the desire for high standards in imagery, and devalued the term photographer. In the past, photo libraries were the absolute last resort. A poor compromise. Today they are seemingly the first, and often, the only choice.
The good ones do hold a range of fantastic images, but at a price often too high for a client’s budget. Creatives are sent back to the cheaper libraries to hunt down a ‘similar image’ at a fraction of the cost. This can take hours and hours, time which is often not accounted for, so the cost of finding an alternative image is absorbed by the agency.
A huge bear pit to this approach is exclusivity. How do you know your chosen royalty free image of a pretty girl used to promote chocolate isn’t being used by someone else to raise awareness of chlamydia?
There is another problem: the digital camera, or worse, the camera phone. Everyone has one, no one can use it. But because it’s free, image quality isn’t important. All of a sudden, it’s ok to present yourself in fuzzy, overexposed, flash burnt, harsh-shadowed, red-eyed glory! Or, a favourite of some, in a dinner suit.
It seems that only the top brands with the biggest budgets are still investing in creating unique high quality imagery to sell their products. It is a real pity that the art of originality seems to be a dying one. After all, a picture is worth…
written by Andy
\\ tags: Images, Photography